Table of Contents
MeCCSA-PGN Conference Papers
| Digital vs Material: the Everyday Construction of Mediated Political Action | |
| Veronica Barassi |
| Igorots in the Blogosphere: Claiming Spaces, Re-constructing Identities | |
| Liezel C. Longboan |
| Blogging in China: Freedom of Expression vs Political Censorship in Sexual and Satirical Blogs | |
| Hai Thang |
| Scottish Press Coverage of UK General Elections after Devolution: the 2001 and 2005 Campaigns | |
| Marina Dekavalla |
| “Focus on the Housewife”: the BBC and the Post-war Woman, 1945-1955 | |
| Kristin Skoog |
| The Representation of Motherhood in Post-socialist Chinese Cinema | |
| Huili Hao |
| ‘We’re on Flashdrive or CD-ROM’: Disassembly and Deletion in the Digital Noir of Collateral | |
| Vincent M. Gaine |
| Indeterminate Film-thinking and Interpretation | |
| Jimmy Billingham |
| Underworld vs the World of Darkness: Players and Filmgoers Respond to a Legal Battle | |
| Rachel Mizsei Ward |
| Wots Not Queer: the Search for Sexual Representation in Audience Research | |
| Craig Haslop |
| From Below to Above the Title: the Construction of the Star Image of Barbara Stanwyck, 1930-1935 | |
| Linda Berkvens |
| The Iconography of Mark Antony | |
| Rachael Kelly |
| Representing National Culture, Values and Identity in the Brazilian Television Mini-series | |
| Niall Brennan |
| ‘I Will Survive’: Forty Years of Amber Films and the Evolution of Regional Film Policy | |
| Paul O'Reilly |
| Read My Voice: Expressing Silence and Sound in Text-messages | |
| Agnieszka Knaś |
| The Medium is Global, the Content is not: Translating Commercial Websites | |
| Yvonne Lee |